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Y: ¦U¦ìÅ¥²³¦n¡A§Ú¬O·¨±á¡AÅwªï±z¨ì¬ü»y©@°Ø«Î¡C
J: And I'm Jody. Welcome to American cafe, where you can meet everyday Americans at work and at play. So, come on in and grab a good seat by the window and join us for American Cafe.
Y: »¡¨ì³o¨à°Ú¡A§Ṳ́µ¤Ñn±a±z»{ÃѨâ¦ì¬ü°ê¤H¡C¥L̦³¤@Ó¦@¦Pªº·R¦n¡C
J: That's right. One's a musician and one's a dancer. And they have something in common - they both love bluegrass music!
(Enter "Orange Blossom Special")
J: Yang Chen, did you hear how fast they are playing? It is simply incredible!
Y: Wow, §A»¡ªº¨S¿ù¡CÁöµM§Ú¬Ý¤£¨£¥L̪º¤â¡A¥i¬O§Ú¤w¸gı±o²´ªá·¶Ã¤F¡C
J: Yang Chen, let's first introduce Bob Carlin, a musician we met at a cultural festival and let him describe this very American type of music; bluegrass.
Y: ¦n§a¡C§Ú̺¥ý¨Ó»{ÃѤ@¤UBob Carlin¡C¥L¬O¤@¦ìµ¼Ö¾ÇªÌ¡AÅý¥Lµ¹±z¤¶²Ð¤@¤U¤°»ò¬OBluegrass Music¡A Äõ¯óµ¼Ö¡C
¹ê¿ý1 Bob Carlin: Bluegrass is a form of music in its strictest definition. It's a band of fiddle, or violin, mandolin, five-string banjo, which is an American invention from an African instrument, and, uh, the guitar and string base. And that's the classic bluegrass band.
Y: Jody¡ABob Carlinè¤~´£¨ì¤Fºt«µbluegrassªº´XºØ°ò¥»¼Ö¾¹¡C§Ú̸ÑÄÀ¤@¤U³o´XºØ¼Ö¾¹¦n¶Ü¡H
J: That's a great idea. First he mentions the fiddle, or violin.
Y: ¨ä¹ê fiddle´N¬O¤p´£µ^¡A¦bºt«µ¶m§øµ¼Ö©ÎÄõ¯óµ¼Öªº®ÉÔ´NºÙ¬°fiddle¡C§Úµ¹¥¦°_¤FÓ¦W¦r¡A¥s¡§¶m§ø¤p´£µ^¡¨¡A¦n¤£¦nÅ¥°Ú¡H
J: Very clever. Then there's the mandolin.
Y: °ÒªûªLµ^¡C
J: Next is the five-string banjo. It is the most important instrument in bluegrass music. What you hear in the background, in fact, is an example of banjo music.
(Enter banjo music)
Y: Banjo´N¤©¶µ^©ÎªÌ¥s¯Z¨sµ^¡C±z²{¦bÅ¥¨ìªº´N¬O¯Z¨sµ^¡CBanjo¦bÄõ¯óµ¼ÖùجO³Ì«nªº¤@ºØ¼Ö¾¹¡C
J: Then there's the guitar.
Y: §Ú·Q¤j®a³£«Ü¼ô±x¦N¥L¡C
J: Finally, Yang Chen, there's the string bass.
Y: ³Ì«áÁÙ¦³§Cµµ^¡C¸Ñ¤Fºt«µ Bluegrass ªº°ò¥»¼Ö¾¹¡A¤U±§ÚÌťť Bob Carlin¬°§Ṳ́¶²Ð Bluegrass ªº°_·½©M·®æ¡C
¹ê¿ý2 Bob Carlin: What separates this from other music groups is that they play in a style that was pioneered by Bill Monroe back in the 1940s. And, um, it's a music that takes its cue or its roots from earlier forms of American string band music, country music and incorporates, uh, some ideas out of jazz, like soloing.
Y: Bob Carlin è¤~½Í¨ìªº Bill Monroe ´N¬OÄõ¯óµ¼Ö¤§¤÷¡CÁÙ¦³°Ú¡A¥L´£¨ì´XÓµü¡A§Ų́ӸÑÄÀ¤@¤U¡A"jazz" ´N¬OÀï¤h¼Ö¡C"Soloing" §Ú·Q´N¬O¬YºØ¼Ö¾¹¬ï´¡¦b¼Ö¦±¤¤¶¡ªº¿W«µ¡A¹ï§a¡H
J: That's a perfect definition of soloing.
Y: ÁÂÁ§Aªº¸Ø¼ú¡AJody¡C§A¨Ó¦Û¦èºû¦N¥§¨È¡A¥i¥H»¡§A¬OÅ¥µÛbluegrass ªø¤jªº¡A¨º»ò¹ï§A¨Ó»¡¡Abluegrass¦³¤°»ò¯S§O·N¸q©O¡H
J: You're right. I grew up in West Virginia listening to bluegrass music so it really is in my blood. When bluegrass music is playing, it's very hard to keep my feet still.
Y: ¦n¡A¨º»ò§Ṳ́U±´N¬°¤j®a¤¶²Ð§Ṳ́µ¤Ñn»{ÃѪº²Ä¤GÓ¬ü°ê¤H¡C¦o¥sLynn Masterson¡C§ÚÌťť¦o¬°¤°»ò³ßÅwbluegrass¡C
¹ê¿ý3 Lynn Masterson: Well, it always has a strong beat. For a dancer, a strong beat is very important. Um, it's cheery. It's happy music. It's very, uh, familiar and comfortable music. It's sort of part of who we are.
Y: §Úı±o¦oè¤~Masterson¤k¤hªº³oµf¸Ü«Ü¦³¥Nªí©Ê¡C Bluegrassªº½T«Ü¦³·P¬V¤O¡C¦o©Ò»¡ªºstrong beat¡A¤]´N¬O¸`«µ·P«Ü±j¡A¾A¦X¸õ»R¡CJody¡Abluegrass³oÓÃD¥ØnÁ¿ªº¤º®e¹ê¦b¬O¤Ó¦h¤F¡C
J: That's true.
Y: ¥i±¤§Ų́S¦³¨¬°÷ªº®É¶¡¡C ¤£¹L¦³¤@ÂI§Úı±o«D´£¤@¤U¤£¥i¡A¨º´N¬Obluegrass¹ï¤j®a¼ô±xªº·nºu¼Öºq¤ý¡A¤]´N¬O¿ß¤ýElvis Presleyªº¼vÅT¡C
J: I knew you were going to bring up Elvis Presley.
Y: ¦n¡A¤U±§ÚÌÁÙ¬Oťťµ¼Ö¾ÇªÌ Bob Carlin ¬O«ç»ò»¡ªº§a¡C
¹ê¿ý4 Bob Carlin: Of course, Elvis is influenced by bluegrass. You know, Elvis did Bill Monroe's "Blue Moon of Kentucky," and Bill Monroe just did it one speed through.
(Enter Bill Monroe singing "Blue Moon of Kentucky")
¹ê¿ý5 Bob Carlin: Elvis, he did it as a waltz like Monroe and then he sped it up.
(Enter Elvis Presley singing "Blue Moon of Kentucky")
J: Now that we heard both versions, Yang Chen, which one do you like better?
Y: ·íµM¬OElvis Presley¤F¡C
J: I knew you were going to say that.
Y: ¦]¬°¥Lªººt°Û³t«×¤ñ¸û§Ö¡A¦Ó¥B¦³·nºu¼Öªº¨ý¹D¡C
J: Okay, okay we know how much you like rock-n-roll and Elvis Presley. But you know, I think Bill Monroe's version better. But, I guess we're going to have to talk about that over coffee because that's all the time we have for today on American Cafe.
Y: ¦n¡A§Ṳ́µ¤Ñ´N²á¨ì³o¨à¡CÅ¥²³ªB¤ÍÌ¡A§Ṳ́U¦¸¨£¡C
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